The speech discusses instances of queer mustering--the riots at New York's Stonewall Inn (coincidentally named for one of the most revered Confederate commanders Stonewall Jackson) and other quasi-militaristic displays of force such as Queer Nation, the Gay Pride Parade, the rainbow flag, etc. It comments on how the Bush Administration's mustering of fear and panic around the issue of same-sex civil union effectively swayed the vote in the 2004 elections, and it recalled the culture wars and campaigns for freedom of expression in the 80s and 90s. The speech was also an attempt to enlist participants in the Muster of 2005.
Public Address
Public Address
2005-6
Ink on paper
2005-6
Ink on paper
Top: "Dare" Performance series, curated by Lauren Cornell, Foxy Production gallery, New York. Photo credit Daphne Fitzpatrick.
Above: Calligraphy by wedding calligrapher Marian Rodenhizer. Commissioned by the Massachusetts Museum of Contemporary Art for the exhibition "Ahistoric Occasion: On the Uses of History," North Adams, curated by Nato Thompson. Also exhibited in "The 'F' Word," Andy Warhol Museum, Pittsburgh, Pennsylvania, curated by Elizabeth Thomas. Photo credit Kathy Carver. See also Wolf, Matt, and Allison Smith. “Reenacting Stonewall, Jackson that is.” Journal of Aesthetics & Protest [Los Angeles] 1.4 (2005): 222-33.
Above: Calligraphy by wedding calligrapher Marian Rodenhizer. Commissioned by the Massachusetts Museum of Contemporary Art for the exhibition "Ahistoric Occasion: On the Uses of History," North Adams, curated by Nato Thompson. Also exhibited in "The 'F' Word," Andy Warhol Museum, Pittsburgh, Pennsylvania, curated by Elizabeth Thomas. Photo credit Kathy Carver. See also Wolf, Matt, and Allison Smith. “Reenacting Stonewall, Jackson that is.” Journal of Aesthetics & Protest [Los Angeles] 1.4 (2005): 222-33.